1. Which practical skills and methodologies
have you developed within this module and how effectively do you think you are
employing them within your own practice?
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I found that this module has
taught me to really explore a subject matter, drawing it repeatedly with
different materials, from different angles – I find, aids in understanding
the subject so to depict it for what it is. I found this applied the most to
the beginning of the module where we were given the task of only using types
of line or mark making, this really helped loosen up my drawing practise, and
got me to experiment more. I now try to experiment with as many materials as
possible when developing an idea, trying to understand what I am depicting
through my drawing methods before actually composing the image.
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2. Which principles/ theories
of image making have you found most valuable during this module and how
effectively do you think you are employing these within your own practice?
I found the sessions where we
learnt about composition very valuable to my practice as it is essential for
an image to have an interesting composition, although colour, line, tone etc.
is very important for an image, I think it is the composition that makes it
truly effective when depicting a scene of some sort. But it is something that
I didn’t always consider, so being continually reminded to develop
composition has helped in making it a routine when progressing work
throughout my practice.
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3. What strengths can you
identify within your Visual Language submission you capitalise on these?
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I find my strength is in my
drawing ability, I really enjoyed the beginning of the module as the tasks
set were to just keep drawing and I felt that was where I was my most
capable; focusing on the one subject of the Galapagos islands and just
experimenting with different lines, tones, marks. This is a skill I will
continue to use throughout my practice, as I will always have to experiment
with different visual aesthetics, and it is something that needs to be
practised in order to progress.
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4. What areas for development
can you identify within your Visual Language submission and how will you
address these in the future?
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I found that my work produced
nearer the end of the module was less strong than at the beginning, I think
this is due to the fact that I had more work on so visual language slipped
behind, but also I find that I am less confident when it comes to actually
composing an image, I am capable in my drawing ability but when I have to
consider where each element should go to make a piece more effective I become
more unsure. But the sessions and hand-outs on this matter have really
helped, and it is something I need to improve so will keep experimenting with
different compositions on other projects, I realise that thumb-nailing ideas
is very useful for this.
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5. In what way has this
module informed how you deconstruct and analyse artwork (whether your own or
that of contemporary practitioners)?
Having everyone in the
session show work they have done each week, and have us all analyse, compliment
and give constructive criticism really helped in how I assessed my own work
as I saw elements of it – good and bad, that I hadn’t considered before. Also
by having other practitioner’s work shown to us who are relevant to the task
we were being set gave me inspiration for how I planned to work. One session
in particular was very useful; the line of sight presentation where we drew
where we thought the line of sight was in illustrations and photographs, as I
initially found it difficult to get my head around how to achieve an
interesting line of sight, but this helped in visualising how it should look.
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Monday, 21 April 2014
visual language end of module evaluation
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